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To bring to life the first connected foosball table we brought together a crack team of engineers, 3D artists, developers and designers. Gameplay becomes even more fast-paced and unpredictable. The rules of foosball are turned on their head in the digital world. Revolutionising the traditional foosball table for the digital age, we connected a social audience with the physical gameplay, so an online community can influence live games and launch takeovers.

Creating the first-ever connected foosball table. So UNIT9 teamed up with DDB Paris to develop a new model of entertainment. Volkswagen – official partner of the French Football Federation – wanted to bring sports fans closer to their idols, by offering an innovative new gameplay experience. The world we created was a perfect blend of physical challenges, technology, and of course, artificial intelligence, essentially gamifying the smart home and exposing the wide range of Alexa’s abilities to the difficult-to-reach influential geek audience. But each team had one very superior advantage: Alexa was a member of the team. They had to conquer a laser maze without tripping up and put mind over matter in an interrogation room.

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Teams navigated through a series of five rooms, solving intricate puzzles along the way. The Amazon Echo experience was the world’s first voice-activated escape room. What better way to solve the intricate puzzles of an escape room than to have a highly intelligent know-all assistant helping you along the way? When AKQA Portland asked UNIT9 to create an escape room for the Amazon Echo-to be revealed at Comic-Con New York -we immediately knew that Alexa had to be part of the experience. Escape-room using voice recognition as medium to get outĪs part of the UNIT9 team, I worked on the creation of an escape room using voice recognition, alexa from amazon.Technology used : OpenFrameworks, Leds, Raspberry-Pi, networking, Ableton live. The interactivity of certain aspects of the music depends on the state the organ is in. I worked with the music producer to make the piece reactive to the music. Each state is stored in a json file which can be changed in the future for a quick diversification of the orgsan look.Īt any given time, the state is an average of 4 different state, making it pretty versatile. The shape then takes different forms depending on which states it is the closest to. I designed the 'organ' for Aeon Industries by coding differents physical states (grid of 16 states). Interact with the organ, ignore it or become intimate, and learn how it responds. Modelled on psychologist John Bowlby’s Theory of Attachment, the pulsating, musical organ has a fluctuating self-esteem, algorithmically generated by audience attention. The first experiential multimedia installation of its kind, using an interactive music composition & technology platform created by emerging arts & experiential practice Aeon Industries. Technology used : Unity, Javascript, Tableau, Splunk, UDP, bash. The project was really interesting and challenging at times, but the team managed to pull it off, and we were very proud of the result!ĭue to the client requirements, no images of the actual installation can be shared. On site I redesigned some communication handlers in javascript for Medialon - Tablet to Medialon. I also designed 2 live dashboard (Splunk and Tableau), for which I create custom elements to fit the needs of the project.

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The original structure code in unity and back end API calls were handled by Gavin Woods ). I also worked on finishing a Tablet app to control the Room's different parts. I worked on designing a Knowledge Graph in unity, which pulls live data from an API, or a CSV file, and displays a live Knowledge Graph. The Control room is a mixed of audio visual elements, lights and LED wall.

SAMSUNG MEDIALON CONTROL SOFTWARE

I helped Seeper design software solutions for the Alef Education Control Room from October 2019 to Mars 2020.

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